C62 Type I 'Music Grade' tape, 'cigarette stain beige'
Housed in an opaque black case, with album info hand etched into the plastic and hand written liner notes.
Mix/Master done specially for tape, including an improvised cut-up done for each copy.
There will be 5. And my mom has already reserved one.
Includes unlimited streaming of Bunnyhug Vampyr
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
bonecrate.bandcamp.com bonecrate.bandcamp.com bonecrate.bandcamp.com
With anxiety mounting ahead of a Dinosaur Dragonfly revival, there couldn't have been a better motivator than working with BONE CRATE. One of my oldest music friends, and probably the first real Punk I met (of a select few to this day). They liked Hardcore, and Power-Violence. Not because it was an accessible all-ages scene in Saskatoon at the time..in fact quite the opposite. They were waving their own flag because they actually liked feedback and screaming and splitting cymbals with sticks. Hardcore. But even more remarkable than their prided turf in the sonic gutter was the appreciation and effort to understand what their friend's were passionate about. I'm not sure I fully understood then the incredible value in setting aside one's ego in pursuit of good Art.
There's an incredible bravery to Crashbonez work in its vulnerability and adaptability..whether it's Harsh noise or hip-hop production, free form podcasts, or even mental health advocacy through whatever medium people are connecting with. Rather than experimenting in search of a desired result...BONE CRATE is what occurs when experimentation is ingrained into one's worldview and approach to survival.
BONE CRATE's full length 'SERRATED BONE FRACTURE' last year was the heaviest thing to come out of the prairie's in a long time..and I immediately wanted to hear more. The tracks I was sent for this split are possibly the loudest pieces of audio I've ever dealt with. The challenge of adding anything valuable to something so full reminded me that aside from my ethereal meaning of art bullshit, the real goal here is to melt our sins with cold hard skram. I think the two tracks in collaboration will push some of you to a breaking point.
There really are going to be 12 of these splits...but the headroom has been Max'd in DDSS-001
released January 25, 2021
Recorded DIY, as always, in isolation, on stolen land across Treaty 1 + Treaty 6.
to; Saskatomb, Winterpeg, Deadmonton, Jon Stevens, Existential Threat, S.A.N.E* Radio, kkrakk!, Zoongideewin, nobody, Tim Holehouse, The Famous Sandhogs, Backxwash, Bad Gardening Advice, Fargo, Adiethylamide, Micah Erenberg, Turner Stewart, ether drift, Eye and Ear Control, Dub Ditch, k. Burwash, Dionne Copland, Vagina Witchcraft, Chris Crossroads, Skot Hamilton, WAR Vellum, The Garrys, Bobby BeauSoleil, DD, Laura Jane Grace, the Inflatable Band, No List Records, HAWAIIAN vest, Mangled Tapes, Man Made Hill, Stothers Brothers, Ari Shaffir, Akhqueth, Travis Cole, Grey Records, Rob Knaggs, Grade School Records, Bulldog Pizza R.I.P., Rock Bottom R.I.P., anyone who's taken the effort to listen quietly, give feedback, talk about process, talk about nothing, and everyone slipping mind. . .
Thank You | Miigwetch
*Mega-Guillotine XII, feudalists, fascists, nationalists, upholders of white supremacy. Get fucked.
Some rights reserved. Please refer to individual track pages for license info.